![]() Created in his New York studio, the piece was moved to Philadelphia Museum of Art after Duchamp’s death in 1968, where it has resided ever since. The inventor of the Readymade’s final work was anything but ready-made: He labored over the piece in secret for 20 years after supposedly giving up art to play chess. Bellmer took photos of his creations, publishing them in a book that came to the attention of André Breton, who invited him to exhibit with the Surrealists. The poupées were inspired by memories of his secret garden and his sexual encounters there. They were initially meant as a protest against the Nazi’s rise to power (Dad was an ardent Nazi, naturally)-the result of Bellmer’s renunciation of doing anything “useful” for the new regime. His creeptastic dolls, or poupées, were cobbled together complete with pudenda out of wood, plaster, broom handles, metal rods and ball joints. As a child, he and his brother hid out from their tyrannical father in “a secret garden decorated with toys and souvenirs, and visited by young girls who joined in sexual games.” Sounds like a recipe for an erotically obsessed artistic genius! Bellmer was largely self-taught, having initially studied engineering, per the demands of his father. One of the more outré figures of modern art, Bellmer, a German artist who lived in Berlin, developed his work independently of the Surrealists that were based in Paris, though he would eventually join their ranks. Photograph: Museum of Modern Art New York. ![]() They remained married until Stieglitz’s death, though the fact that he dallied with other women was perhaps one reason that O’Keeffe moved to New Mexico to live by herself and work on her art. Stieglitz divorced Emily in 1924, marrying O’Keeffe that same year. As one might expect, this eventually led to a “it’s her or me” confrontation. Stieglitz’s first nude studies of O’Keeffe were taken at his home, even when Emily was there. This image is one of some 350 he took of Georgia O’Keeffe between 19 as a “composite portrait.” Only a portion of these photographs were starkly sexual (he also took photos of O’Keeffe’s face and hands), but Torso testifies to Stieglitz’s erotic obsession with O’Keeffe, which began around 1917, while he was still married to his wife, Emily. ![]() He still was found guilty of displaying erotic pictures where children could see them, and had to serve an additional three days in jail.Īlfred Stieglitz, Georgia O’Keeffe-Torso, 1921Īmericans are often considered puritanical, but that certainly wasn’t case among the founding members of this country’s avant-garde. After Schiele spent 21 days in prison, the rape allegation was dropped. When police later raided his studio and confiscated nearly 100 sketches, he was further charged with distributing immoral material. Kids from the neighborhood often congregated at his studio, much to the consternation of the folks in town, and in 1912, he was arrested on charges of seducing a minor. Unable to afford proper artist’s models, he persuaded prostitutes and teenage shop girls to pose for him. Schiele, a leading figure of the period and something of an Expressionistic bad boy, created dozens of studies of females in unashamedly sexual positions (see the following image as well). Vienna at the turn of the 20th century was a hotbed of sexual neuroses, so it makes sense that artists at the time gravitated toward erotica. ![]() ![]() Egon Schiele, Reclining Female Nude with Violet Stockings, 1910 ![]()
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